For over 35 years, four-time Oscar® nominee DANNY ELFMAN has established himself as one of the most versatile and accomplished film composers in the industry. He has collaborated with directors such as Tim Burton, Gus Van Sant, Sam Raimi, Peter Jackson, Ang Lee, Rob Minkoff, Guillermo del Toro, Brian De Palma, James Ponsoldt and David O’ Russell. Beginning with his first score on Tim Burton’s Pee- wee’s Big Adventure, Elfman has scored over 140 films, including: Milk (Oscar® nominated), Good Will Hunting (Oscar® nominated), Big Fish (Oscar® nominated), Men in Black (Oscar®nominated), Edward Scissorhands, Batman, To Die For, The Nightmare Before Christmas, Alice in Wonderland, Silver Linings Playbook, American Hustle, Avengers: Age of Ultron, Spiderman, A Simple Plan, Midnight Run, Sommersby, Dolores Claiborne, and the Errol Morris documentaries The Unknown Known, and Standard Operating Procedure. Elfman’s other scores include the Warner Bros. blockbuster Justice League, Gus Van Sant’s Don’t Worry He Won’t Get Far On Foot, The Grinch for Universal, Tim Burton’s live action remake of Disney’s Dumbo, and the latest installment from Sony Pictures Men In Black: International starring Chris Hemsworth and Tessa Thompson. Upcoming for Elfman is the Universal Pictures’ family comedy The Voyage of Doctor Dolittle starring Robert Downey Jr. and Tom Holland.
A native of Los Angeles, Elfman grew up loving film music. He travelled the world as a young man, absorbing its musical diversity. He helped found the band Oingo Boingo, and came to the attention of a young Tim Burton, who asked him to write the score for Pee-wee’s Big Adventure. 34 years later, the two have forged one of the most fruitful composer-director collaborations in film history. In addition to his film work, Elfman wrote the iconic theme music for the television series The Simpsons and Desperate Housewives.
Elfman has expanded his writing to composing orchestral concert works which include: Serenada Schizophrana, a symphony commissioned by the American Composer’s Orchestra, which premiered at Carnegie Hall in 2005, Rabbit and Rogue, for the American Ballet Theater choreographed by Twyla Tharp, performed at The Metropolitan Opera house in 2008, and IRIS for Cirque du Soleil directed by French choreographer Philippe Decouflé. In 2011, Danny Elfman’s Music from the Films of Tim Burton live orchestral concert, premiered at Royal Albert Hall, and has since toured around the world and won two Emmys®.
In 2017 Elfman premiered his first violin concerto in Prague, which was performed by the Czech National Orchestra. This year, his first Piano Quartet commissioned by the Berlin Philharmonic Piano Quartet will premiere in the fall at the Berlin Philharmonie.
“I need to push myself into new territory with fresh challenges as much as I can and whenever I can. I am told I have a recognizable style but my greatest pleasure is when I can surprise the audience with my music.” – Elfman
Declared “brilliant” by the Washington Post, violinist Sandy Cameron is one of the most strikingly unique artists of her generation. Since her debut at the age of 12 in Eindhoven, the Netherlands, Ms. Cameron has performed extensively as a soloist throughout the world. Here are some personal highlights of Sandy’s work:
Places and Orchestras: Ms. Cameron has been recognized on stages worldwide and in a variety of settings. The White Nights Festival in St. Petersburg, Russia, and the Adelaide Festival of the Arts in Australia are among of a number of unique performance experiences Ms. Cameron has had. She has appeared at venues such as the Kennedy Center in Washington, D.C., David Geffen Hall at Lincoln Center, the Elbphilharmonie in Hamburg, Germany, and the Sydney Opera House. Ms. Cameron has collaborated with numerous orchestras, including the Royal Scottish National Orchestra, Kirov Orchestra, Seattle Symphony, Colorado Symphony Orchestra, Virginia Symphony Orchestra, National Symphony Orchestra, and Tokyo Philharmonic.
On Stage: The most noteworthy, and a truly rewarding experience of Ms. Cameron’s career as a concert soloist is Danny Elfman’s Violin Concerto, “Eleven Eleven”. Mr. Elfman wrote this concerto for Ms. Cameron, and she had the great pleasure and honor of presenting the world premiere with conductor John Mauceri at the Prague Proms in June 2017. It was received with great success, and Ms. Cameron continues to enjoy performing the piece for audiences worldwide. Other special stage appearances include performances for Cirque du Soleil, Tan Dun’s Martial Arts Trilogy, and Danny Elfman’s Music from the Films of Tim Burton. Ms. Cameron is also featured in performances with renowned jazz trumpeter-composer Chris Botti, with whom she has toured globally. Additionally, Ms. Cameron has written and performed her own musical arrangements for a number of productions at the Hollywood Bowl, including Disney’s The Nightmare Before Christmas Live in Concert, Disney’s The Little Mermaid Live in Concert, Willy Wonka and the Chocolate Factory Live in Concert, and Disney’s Beauty and the Beast Live in Concert.
In the Studio: Versatile in her abilities as an artist, Ms. Cameron also enjoys musical engagements off the stage. In 2018, she recorded the Elfman Violin Concerto with Maestro Mauceri and the Royal Scottish National Orchestra, now available on Sony Classical. She is currently involved in an exciting new project with the illustrious composer, Marco Beltrami. Recently, she was featured as a soloist on Bear McCreary’s score for the film, The Professor and The Madman. Ms. Cameron can also be heard on soundtracks to Cirque Du Soleil’s IRIS, the video game Assassin’s Creed: Syndicate, the History Channel’s Houdini, and more.
The outstanding violin used by Ms. Cameron, crafted by Pietro Guarnerius of Venice, c. 1735, is on extended loan through the generous efforts of the Stradivari Society® of Chicago.